With Lala Brooks fronting Barry-Greenwich's best songs throughout 1963 and '64, Spector found the smash hit formula he was looking for, but it's the run-up that affects me most. Barbara Alston's not the All American Girl. She sings of hopes she knows already squashed by life's circumstances. Some girls have better chances than others ('No one ever tells you', 'Please hurt me'). Darlene Love chipped in when more rebellious tones were apropos.
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